Communication for contemporary art
Communication thatextends theartist’s voice.
I work alongside artists to build narratives that stay true to their practice and find the audiences they deserve.
Every artist already has a language. My role is to help that language reach the audiences it deserves.
Selected media coverage
- The Art Newspaper
- Le Temps
- France Culture
- Le Nouvel Obs
- Vogue Brasil
- Forbes Brasil
- Folha de S.Paulo
Working together
Every collaboration begins inside your practice.
No formulas, no templates. Our work starts with time spent with your work: your references, your rhythm, your way of speaking about what you make. It takes shape around the artist and the project, never the other way round.
Ways we can work together
Prepare short videos, texts and contextual material that galleries can share with collectors before they arrive.
Develop a press release, identify the journalists and institutions who should hear about it, and coordinate media requests around your project.
Shape the visuals, narrative and supporting material so your ideas are communicated as clearly as your work.
I'll coordinate media requests, image permissions, invitations and institutional correspondence so you can stay focused on your practice.
Together, we'll shape an online presence that reflects your practice through thoughtful social media, editorial content and a coherent digital identity.
I'll help maintain a communication rhythm that fits your practice, whether through newsletters, announcements or other touchpoints with your audience.
Keep your portfolio, biography, CV and project texts current, so they're always ready whenever opportunities arise.
Ensure every exhibition, installation and publication is documented by following up with photographers and institutions and maintaining an organised image bank.
Monitor articles, interviews and mentions over time, creating a media report that's always ready to share with galleries, institutions and collectors.
Monitor unauthorised uses of your images and coordinate follow-up with the relevant rights management organisations.
Organise your archive of texts, photographs and documentation so your work remains accessible and visible over time.
Prepare thoughtful material for grants, sponsors, patrons or crowdfunding campaigns that remains faithful to your practice.
Adapt your communication across languages, institutions and cultural contexts while maintaining one coherent voice.
Preparing for an art fair
Prepare short videos, texts and contextual material that galleries can share with collectors before they arrive.
Opening a solo exhibition or launching a major project
Develop a press release, identify the journalists and institutions who should hear about it, and coordinate media requests around your project.
Giving a lecture or participating in a conference
Shape the visuals, narrative and supporting material so your ideas are communicated as clearly as your work.
Managing day-to-day communication
I'll coordinate media requests, image permissions, invitations and institutional correspondence so you can stay focused on your practice.
Developing your digital presence
Together, we'll shape an online presence that reflects your practice through thoughtful social media, editorial content and a coherent digital identity.
Managing your community
I'll help maintain a communication rhythm that fits your practice, whether through newsletters, announcements or other touchpoints with your audience.
Keeping your professional material up to date
Keep your portfolio, biography, CV and project texts current, so they're always ready whenever opportunities arise.
Managing your image archive
Ensure every exhibition, installation and publication is documented by following up with photographers and institutions and maintaining an organised image bank.
Keeping track of your media coverage
Monitor articles, interviews and mentions over time, creating a media report that's always ready to share with galleries, institutions and collectors.
Protecting your image rights
Monitor unauthorised uses of your images and coordinate follow-up with the relevant rights management organisations.
Building a long-term practice
Organise your archive of texts, photographs and documentation so your work remains accessible and visible over time.
Looking for funding
Prepare thoughtful material for grants, sponsors, patrons or crowdfunding campaigns that remains faithful to your practice.
Working internationally
Adapt your communication across languages, institutions and cultural contexts while maintaining one coherent voice.
International network
Visibility travels through relationships.
Over the years, I have built an international professional network across the art world, and I keep expanding it, project by project.
I actively research and build new relationships for every project: a living practice, not a static database.
Geographic distribution
A network rooted in France, extending internationally.
France 431 · United States 119 · South Korea 38 · United Kingdom 36 · Japan 27 · China 26 · Brazil 26 · Italy 25 · Switzerland 23 · Germany 23 · Spain 22 · Mexico 20 · Sweden 18 · Portugal 16 · Argentina 13 · Belgium 12
Additional contacts distributed across other countries.
Geographic distribution based on database contacts with an identified country.
About
I understand the life of an artwork beyond the studio.
An artwork doesn't stop at the studio door. It moves through exhibitions, institutions, collections, publications and public conversations before reaching its audiences. My role is to help that journey remain coherent, so every encounter reflects the artist's voice.
My path has taken me through museums, artist studios, galleries, private collections and cultural institutions in Brazil, Europe and the United States, while collaborating on international projects across museums, galleries and institutions. Working internationally has taught me how to translate artistic practices across cultures without losing their specificity.
I've worked from every side of that conversation, supporting institutions, collaborating with galleries, responding to journalists and developing narratives alongside artists.
That perspective shapes how I approach communication today: not as promotion, but as mediation.
Three principles
Every artist already has a language
My role is to amplify it, never to replace it. The words we find together should sound like you, not like an agency.
Visibility begins long before the opening
Narrative, timing and relationships are built months ahead. By the time the doors open, the story is already moving.
Tailored, always
Each collaboration is shaped around the artist and the project. Some last a season, others become long-term dialogues.
